MORGION

JC with:
Drums and Lyricist - Rhett Davis
May 3rd, 2004

Metal Coven: Thank you for allowing Metal Coven the opportunity in helping to spread the Gospel According to Morgion. Your time is much appreciated.
Rhett: Not a problem, proceed with the inquisition.
Metal Coven: How is it possible that a band from sunny California can produce such epic paeans to darkness, melancholia, and despair? The members of Black Sabbath have often stated that the dampened, overcast climate in England was a definitive factor in helping to shape their style of Doom & Gloom. Does geographic location color your mindset in any way that might be considered counter-productive to producing your own music?
Rhett: The easiest answer would be either...

A.) Socially inept assholes that just cant conceive the idea that playing pop punk is what our locale is most fond of. So therefore subjecting ourselves to playing shows in front of a “huge crowd of 4” who have the same keen sense of fashion and love of all things "overly dramatic and artsy-fartsy?"

B.) Having untold pleasure in making those around us who are described as "chipper" and/or "full of positive thoughts" delve into a dark abyssal fog of dismay and hopelessness that they eat nothing but fatty foods and dwell on last weeks episode of the "Gilmore Girls"?

C.) 4 guys who have the unfortunate love of "metal music made by high-brow Europeans" who happen to live in the same area where bands like "No Doubt, Korn, and The Offspring" hail from?

D.) Geography is not our best subject?

E.) All of the above?
Metal Coven: On a related note, how much of the anguish on display in your music stems from a personal sense of dispiritedness? Would you consider yourself to be a relatively upbeat person who just so happens to be able to tap into this well of sorrow for the sake of producing art, or is there a deeper, more personal aspect of your songwriting that is linked to a genuine inner darkness?
Rhett: To a degree. I would prefer to be an upbeat person most of the time but I do have my moments where I can be the most unpleasant person to be around. For arts sake I think we play music that comes naturally to us, I couldn't really explain why or how. We don’t analyze every dark/dismal record out there to glean tips on "how to be a miserable bastard". In the past I wrote lyrics that were more personal with a theme in mind but nowadays I have such hatred over what I call the “woe is me” type lyrics. I think we are product to our love of all things with dark dynamics.
Metal Coven: Other than music, what other art forms inspire the creative juices to flow? Does poetry and literature provide the muse in any tangible way? If so, what figures in the world of poetry and literature do you recognize as providing the inspirational spark that fires your own imagination?
Rhett: My primary sources to literature are as follows: The Bible, Edgar Allen Poe, Tolkien, H.P. Lovecraft, R.A. Salvatore, Tracey Hickman & Margaret Weis, Robert Frost, Yeats, Robert E. Howard, Anne Rice, any kind of mythological text (whether fact or fiction) etc… I gain most of my ideas for lyrics just from reading any kind of literature; I’ve actually had some good ideas from authors like Mark Twain! It just depends on how it is written and what “I get out of it”. It’s more of a personal exploration of knowledge than a way to write, although it has helped in many facets of my writing.
Metal Coven: The music of Morgion produces vivid images of desolate landscapes in the mind's eye. Your lyrics are very visual and full of dire hopelessness. Are any of your works inspired by fine art, paintings or sketching? Who are some of your favorite classic and contemporary artists?
Rhett: H.R.Geiger, Larry Elmore, Frank Frazetta, anything with a strong take on fantasy or sci-fi. Since Gary Griffith (Guitars, Synths, Acoustics, Vocals) is our artist he has such a profound sense of making our music detail our packaging; I don’t think he has many other artists in mind when making his artwork. But in my opinion he could make just about anything look incredible.
Metal Coven: How much effort is put forth by Morgion in finding suitable artwork to use for the cover and inlays of your albums? Is all of the artwork newly commissioned for the sole purpose of using as cover art, and if so, how closely do the band members work with the artist in providing input toward the conceptual design?
Rhett: Since the guy who makes our layouts is in the band he pretty much works out the visual to what words I have created. Since he also sings most of the words too he has the most insight to how the whole thing should be packaged. In the end we are all very happy to see what he comes up with.
Metal Coven: Does spiritual faith (or lack thereof) ever provide a catalyst for providing input into your musical compositions? What dynamic plays the most crucial role in the songwriting process?
Rhett: Actually I don’t think any of us are spiritual people and I’ve always made it a rule to never cross that territory simply because it doesn’t interest me in the slightest. I also feel no need to preach to anyone about what I “think” is the law in religious or anti-religious thought. For “CBA, CIE” the writing dynamic was to write a musical story to a fictional setting dealing in the worst kind of irony’s. In the songwriting aspect we have always kept to the dynamic of dark themes that don’t have to follow any rules or conduct. So each part within stands out and makes each heavy part and each mellow transition count. On this particular record we wanted a more “guitar oriented” album while using the keyboards to enhance but not lead.
Metal Coven: Do you ever feel the need to break away from the limitations imposed by being labeled a proponent of "Doom"? Have you ever been tempted to hit the stage wearing brightly-colored Hawaiian shirts, white short-shorts, and HUGE pink & yellow sombreros while singing a rousing version of "If You're Happy And You Know It Clap Your Hands"? This would be a monumental moment in the history of Doom Metal and would undoubtedly elevate your status in the Metal community. Morgion would become the undisputed Lords of all things tr00...the reigning Kings of the Metallic underground.
Rhett: I was always more partial to wearing spandex bicycle shorts (any neon color will do.) and a white “Choose Life” t-shirt singing my rendition of “Wake up, before ya Go-Go” by Wham.
Metal Coven: Which of the following adjectives best describes your feelings regarding the current state of Heavy Metal as represented by the so-called "Metal" bands on MTV's Headbanger's Ball?

(Please limit your response to Five choices)

dispiritedness, doldrums, downcastness, downheartedness, listlessness, moodiness; anguish, grief, sorrow, sorrowfulness, woe; desolation, disconsolateness, disconsolation, forlornness, misery, mourning; blue devils, despondency, hopelessness, megrims, melancholia
Rhett: anguish, misery, hopelessness, despondency, desolation. Sorry but downcastness is not a word. Is there anyway I could trade it in for the word… weary?
Metal Coven: Well, according to Roget's New Millennium™ Thesaurus, First Edition (v 1.0.5) Copyright © 2004 by the Lexico Publishing Group, "downcastness" is indeed a "word", and no, you can't trade it in for the word "weary"...you've already reached your five adjective limit.

Metal Coven: Do you believe that Neapolitan ice-cream is a reasonable compromise that should be taken seriously by consumers who actually prefer one specific flavor of frozen dessert over another, or does the highly unnatural integration of this vanilla, chocolate and strawberry union represent society's apathy toward the corporate big-shots who wish to infringe on our individual rights?
Rhett: The dictionary definition.
Pronunciation: "nE-&-'pä-l&-t&n
Function: noun
Etymology: Middle English, from Latin neapolitanus of Naples, from Greek neapolitEs citizen of Naples, from Neapolis Naples
: a native or inhabitant of Naples, Italy
- Neapolitan adjective

The real question is how did Neapolitan become a three flavored ice cream from this definition? And whom are they trying to dupe? Is there a obligatory-racist ice cream regime in Naples who integrated strawberry, vanilla and chocolate into one “melting pot” to make the perfect “Almost-Aryan Ice Cream?”

But I know the truth. The truth is that a pot bellied Italian-Neapolitan named “Guiseppe” who sold half of the containers for each separate ice cream to an American entrepreneur (who made a killing during Marti-Gras season selling them as cups for “Hurricanes” and other alcoholic concoctions.) for a jar of petroleum jelly, 4 bottles of Cognac and 3 videotapes entitled “Big Black Butt-Volumes 5-8”. After which he proceeded to add each flavor into one container (since his stores are now half full) and then selling them to Baskin Robbins, then to those bastards Ben & Jerry. Worldwide distro. Soon to follow. Now my question is this… did Guiseppe wash his hands before making Neapolitan ice cream? And is that really vanilla?
Metal Coven: I knew there was more to this story than meets the eye. Neapolitan ice-cream symbolizes the enigmatic alliance between the Illuminati, Zadokite priests, Freemasons, the Bilderberg Group, Neo-Templar..."Novus Ordo Seclorum"...it's the New World Order, man...globalization zealots who have infiltrated the world of frozen, dairy-based confectionaries. Churchill was right..."Men often stumble on the Truth, but usually dust themselves off & hurry away...", Well, I'm not going to dust the truth away and scramble for cover, I'm going to stand up and be counted. "The NWO is coming!!, The NWO is coming!!"...I shall become the Paul Revere of the modern age......um, maybe you could even create a concept album based around this shit...
Rhett: (Deafening silence, occasionally interrupted by the sound of crickets chirping)
Metal Coven: OK, last question: When corresponding with fellow Metal-heads via E-mail, Instant Messaging, or Message Forums...which icon best represents the Awesome power of the "Horns"?

\m/ or \,,/
Rhett: \,,/ Nothing says metal like IBM and MACintosh, huh?