PECCATUM
Ross Hagen with:
Peccatum
May 27th, 2004
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Metal Coven: Compared to some earlier
albums, Ihriel's vocals in the samples I've heard online of "Desolate
Ever After" and "Black Star" have a less operatic, more "natural" singing
style. Does this hold true for the rest of the album and, if so, what
was the reasoning behind this choice?
Peccatum: The vocals on this album are generally more upfront in the mix, something which in turn singles it out more, bringing the voice closer to the listener. We've left the more classical approach for a more experimental pop/rock oriented way of singing. Such vocals are not only easier to perform, but at present more adaptable to the new musical direction of Peccatum.Metal Coven: Given some of the "drill"-sounding electronic drum fills in "Black Star," the music tech geek in me is curious to know what the writing / production process for this album was like. Peccatum: With "Black Star" and perhaps the album as a whole, we've aimed to explore the themes themselves, express them accordingly and weave them into new themes and patterns. By taking the musical themes from their pure, simplistic forms over to their outer boundaries of the extreme, we've created songs like "Black Star". In addition to this we wanted to approach the writing process with even more diversity than before, so some of the material we have taken from a purely acoustic point of view, either just building it from piano or acoustic guitar, and other songs have the out bringing purely in electronic stuff. As for the technical approach, our main tools are currently Steinberg's Nuendo, NI Reaktor, various synths and samplers and a selection of microphones and tube-preamps.Metal Coven: Were the music and lyrics for particular songs usually written by the same person or did you divide the workload? Peccatum: Everything on this album is co-written, and as always it varies who starts and who finishes the different themes and songs.Metal Coven: The samples I've heard seem to be almost defined by dramatic contrasts in dynamics and textures, with blazing metal giving way to expansive soundscapes and other such changes. Is much of the album constructed in this way? Peccatum: The whole album is to some extent filled with great contrasts both musically and lyrically. However, not all the songs are taken to the extreme, but rather kept in a pure form. Production-wise we've tried to treat each song individually, giving it the arrangement and instrumentation called for.Metal Coven: Is there an underlying concept / idea / feeling behind all the water imagery and references to drowning and swimming in "Lost in Reverie"? Peccatum: With "Lost in Reverie" we aimed to create a dark album able to whisper as well as shout. Lyrically, the dreamy and ruthless movement of both water and the long gone plague underlines the claustrophobic and unpredictable atmosphere we wished to create. In many ways "Lost in Reverie" paints the beauty of the mad, the contagious and the invisible.Metal Coven: This might be too personal, but the lyrics of "Lost in Reverie" also seem to address communication and security / comfort in relationships. Is Peccatum sometimes a creative outlet for these things within your relationship? Peccatum: Despite the fact that most lyrics on this album are told in first person, the narrator throughout this text is not equivalent to us. It is more a general voice that interprets his/her surroundings and his/her place within them. It has definitely nothing to do with our private relationship.Metal Coven: Are there any plans to tour in support of this release? If so how would the live setup be realized? Peccatum: We are currently not doing live performances, due to lack of time with building a new label and constantly creating new music. On the practical side we would need to hire quite a few session musicians in order to get this show on the road, and that in itself is quite a big project. However, we've already had quite a few offers for live performances, so we might want to follow up on this at a later point.Metal Coven: (Ihsahn) What's your take on the current extreme music scene in Norway or in general, especially as black metal has lately become more of a mainstream presence (or so it seems)? Peccatum: I'm probably the least updated black-metal head in Norway, so I really can't say.Metal Coven: Are there any particular bands or composers you currently find especially inspiring, either for your work in Peccatum or just generally? Peccatum: There are many different influences we encounter on a daily basis; both old and new and from a variety of genres, and also for different reasons. To mention a few and very old favourites: the Estonian composer Arvö Pärt, the black metal Godfather Bathory and the multitalented Prince.Metal Coven: Many thanks on behalf of myself and Metal Coven and feel free to add any final thoughts. Peccatum: Thank you for the support, and metal regards to the readers of Metal Coven! |

