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Visions
of Atlantis is one of the bands to emerge from the success
of the symphonic power metal band Nightwish. However,
they are not just merely trying to copy the style made
famous by the Finnish band nor are they trying to cash
in on the recent success of Lacuna Coil's use of male
and female vocals. Having been around since 2000, they
have released two albums, Eternal Endless Infinity and
Cast Away. 2006 promises a new album from the Austrian
six-piece along with a few surprises.
Peter: I guess the most obvious question to ask is how did you come into contact with the members of Visions of Atlantis?
Melissa: I had come to a point with my current band at the time (Aesma Daeva) where I didn't feel we were progressing in the same direction. I was talking to
Ashmedi of the band Melechesh who I had played with before in Toronto and
with whom I have a great friendship. He is an A&R Manager as well and after
telling him about my current situation, he suggested I send him my
information to forward along. The next day, much to my surprise, Thomas
from Napalm's A&R contacted me about Visions of Atlantis' want for a change
of their singer. It was an instant connection. I very much liked what they
were doing and the direction they were headed.
Peter: I suppose the next question will be about your former band Aesma Daeva.
Could you describe the band's sound and do you still speak to your former
bandmates?
Melissa: Their sound is more like doom metal with elements of opera (we
re-orchestrated a few Mozart arias for the band), symphonic, experimental
classical and some Greek modes. It sounds a bit hectic on paper, but
somehow these elements fit like a glove together!
I am still friends with the majority of my band mates and just recently went
to their first concert with their new singer, who is fabulous and a nice girl. I will love those guys regardless.
Peter: Could you say a little about your musical background?
Melissa: I have a Bachelor's degree in Music from the University of Wisconsin-River
Falls and a Master's Degree in Vocal Performance from the New England
Conservatory. Much of my studies were focused on operatic vocal training
and experimental classical theoretical training. I was also the singer for
Aesma Daeva for four years. I have a deep interest in ethnomusicology and
hope someday to get my Doctorate in this study.
Peter: What exactly is ethnomusicology and what does it involve?
Melissa: Ethnomusicology is basically the study of ethnic music within a culture.
This can range from African to Appalachian music and from the smallest
tribe in Uganda to a whole continent like Asia. My dream would be to take a
few years and delve deep into the untouched regions of the Amazon and literally discover a culture and how they integrate music and dance into their way of
life, then write a book about it. Sound crazy? Ha ha!
Peter: With half of the band being turned over from Cast Away, did any of you have
to introduce yourselves and if so, were introductions difficult?
Melissa: I think I speak for all when I say that we were amazed at how well we all
came together for our first official meet up in February. It had honestly
felt like we had been working together for years! There is definitely a
deep respect for each other, yet also a deep friendship. Introductions were
not difficult. They speak impeccable English which made it much easier for
me….I just have to work on my German more! Musically speaking,
especially with the addition of three new members who come from various
backgrounds like Thrash (guitarist Wolfgang Koch), Black (keyboardist Martin Harb), and Experimental (myself) Metal, and the continuing members with their sound, there has been an interesting mix coming out of the songs that we are currently working on.
I think the best of all the genres are being added to the songs to create
a heavier sound than previously with VoA...sort of a bridge between metal
genres.
Peter: In any live performance, are there any routines that you go through before going on stage?
Melissa: Yes, definitely. I'll spare you the details but it involves stretching,
then a thorough vocal warm-up and finally a meditation and sort of a sending
of energy to my band mates, the stage and audience.
Peter: Recently, you made your first appearance with Visions of Atlantis.
Could you describe the experience?
Melissa: It was amazing. Though our first concert in Stuttgart, we were late
to because our van broke down and we literally got there 5 minutes before
we were to take the stage. So that added a bit of unnecessary excitement to a
virgin show! Throughout the rest of tour, things really came together
and we had such a blast both onstage and talking to people after.
Probably the most exciting of the concerts was the last one in Leoben,
Austria because a lot of the guys' friends were there and the
crowd was the most energetic out of all. It was also cool at
each show seeing people singing along and a few couples making out.
Hey, at least they were moved!
Peter: Staying on the subject of being on the road, are there any other stories
that you would like to share with your time in either Visions of Atlantis
or Aesma Daeva?
Melissa: Did you know that Chicken Spam uses mechanically-separated chicken parts?
Never mind.
I don't think there has been anything particularly unique besides the usual
sleep-deprived, in-a-bus-for-too-long silliness that just about every band
encounters.
Peter: What are some of the bands you would like to share the stage with?
Melissa: Too many bands in this genre to list, but at the top would be After Forever,
Within Temptation, Leaves' Eyes, Lacrimosa and we would share the stage
with Xandria and Lyriel again any time. I bet playing on a Korpiklaani show would be wicked fun too!
Peter: What are some of the differences between performing live and performing in a
studio?
Melissa: A shorter answer would be what are the similarities. The main differences
are, of course, the energy, the stage moves/theatrics and improvisations
when performing live. At least for me, the studio and live require the same
intensity and emotion, but vocal delivery is a bit more controlled and
precise in the studio.
Peter: When do you plan on recording the new album and when can we expect it to
come out?
Melissa: We are recording final takes of the vocals & keyboards throughout May at
Radwerk 14 Studio in Austria and the instruments will also be recorded in
Austria. The mix is set for June 2006 at Finnvox studios Finland with a well
renowned producer! After production, we expect it to be released around
September/October 2006.
Peter: What can we expect from the new album?
Melissa: Something different, yet complimentary to the previous Visions of Atlantis
albums. As I had stated, each of us have integrated our own stylistic
elements while creating, which has added a deeper and heavier feeling to the
music. The element Water is still present in the lyrics but is more
metaphorical and in the background. Overall, we are very excited for this
release! We hope both fans and critics of VoA will be appeased by the final
product.
Peter: What tours are you planning for the upcoming album and is there any chance of touring in the United States?
Melissa: We are planning a CD release tour in Autumn 2006; dates are still being finalized, but definitely something to watch for. As far as the USA, there are many factors that will depend on, but certainly is something else we are planning on around the end of 2006/early 2007. Personally, I want to bring my band here because the US is where people know me and where a big curiosity lies. The interest is definitely there, so we shall see.
Peter: I think that covers everything unless you have something you want to add.
Melissa: I think that does cover everything. Thank you again for everything. Perhaps we will meet up sometime in the future.
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