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Little known Dutch black metal band Sammath recently released their
third
full-length album “Dodengang” on the Folter Records label, and it’s a
raw
and filthy exercise in death metal tinged intensity. After undergoing
a
couple of line-up changes over the twelve years that the band has
existed,
the personnel has solidified as sole author and musician J. Kruitwagen,
and
human drummer Koos Bos. I emphasize the human aspect of the
percussionist,
because all too often these essentially one-man black metal bands rely
quite
heavily on drum machines to supply the rhythmic accompaniment. Poor
drum
programming is dismal at best, but even the most skillful use of a drum
machine pales in comparison to the sound of actual drums and of a
thinking
being dealing them a furious beating, and Mr. Bos seems to go
completely out
of his mind here, turning in an inspired and manic performance that
while
often mixed a bit too loudly, really compliments the rest of
Kruitwagen’s
musical madness. War themed, blasting insanity, somewhat similar to early Marduk is
the
focus of most of the tracks here, though the blast beats are not
constant
throughout. There are many slower, thrashier passages here as well.
I’ve
always been a fan of Dutch metal, but usually of bands in a more
melodic
death or thrash metal vein. I’m not sure I’ve really ever listened to
any
Dutch black metal bands, so it’s cool to get a feeling for how the
genre is
approached in that country. Trancey riffs swirl about and often follow
along with the eerie and uniquely disturbing keyboard melodies in album
best
“Oblivion” which also takes an effective break for some sounds of
battle.
Songs at times go though several thematic shifts and never lose
ferocity.
“Stalingrad” and the title track “Dodengang” are other high-points.
The
second half of the album fares a bit better than the front, and the
album
definitely benefits from repeated listens. Though perhaps not the most
memorable of albums, Sammath’s “Dodengang” will certainly please fans
of
raw, grim black metal looking for something a little less widely
known. |
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